Author : Mark Brown
Date
of publication : Monday,
December 10, 2012
Extract
: “ Visually,
it was stunning. Who wouldn't be knocked out by William Holman Hunt's masterpiece The Lady of Shalott, which travelled
from the US to the UK for the first time since 1951; or Ford Madox Brown's endlessly fascinating Work, one of the stars of Birmingham's collection; or John Everett Millais's stupendous Scottish landscape Chill October (on
loan from Andrew Lloyd Webber) that had Van Gogh writing
home to his brother singing its praises ? "
Index
terms : Pre-Raphaelites
/ Victorian Avant-Garde / Taite Britains / Exhibitions
Source
: The
Guardian
(online)
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with : Google
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